残像ドミノ / ZanzōDomino

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残像ドミノ

残像ドミノは、儚さをテーマとしたインタラクティブな作品です。ドミノ型のデバイスを用いてドミノ倒しを行うことで、次々と倒れるドミノの軌跡上に光の残像を浮かび上がらせます。各ドミノには残像として提示される1文字を自由に設定でき、ドミノを並べることで文章の構築が可能です。一つずつ並べられたドミノの列は、転倒の瞬間に一瞬で一度きりのメッセージを提示します。

ZanzōDomino

The ZanzōDomino is an interactive artwork that reminds us of transience. Zanzō is a Japanese word meaning after-image. By playing dominoes with these domino-shaped devices, viewers can recognize after-images from lights on the tip of the falling dominoes. It is possible to set character data for each domino and compose a sentence by setting up the dominoes in a row. The dominoes are lined up carefully one by one and will display a message once briefly as they fall.

Orphe

Orphe is a smart-shoes system designed for performance that functions both as a customizable lighting system and a musical instrument/audio-visual controller. The sole of each shoe contains advanced motion sensors, around 100 full-color, serially-controlled LEDs, and a wireless module (patent pending). This technology allows users to intuitively express themselves in new and interesting ways by freely mapping interactions between their movements and light and sound. We also provide a system that makes it easy for users to share the assets they’ve created online, and we hope to grow a community of artists and performers working in different media and genres who can take inspiration from each other’s use of Orphe hardware and applications.

Nakanisynth

従来のシンセサイザは演奏に用いるパラメータが多いため、そのインタフェースが複雑になりがちです。そこで、多くのパラメータを調節する代わりに、ユーザが波形を手描きすることで音を奏でられるシンセサイザアプリケーション”NAKANISYNTH”を開発しました。NAKANISYNTHでは、音の一周期分の波形とエンベロープカーブの2つの波形を描いて音を生成します。この2つの波形の組み合わせによって多様な音を演奏できます。また、手書きした波形を編集しながら演奏できるので、音の波形とその聞こえ方にも役立つインタフェースにもなっています。

NAKANISYNTH is a synthesizer application that allows users to produce sound loops by freehand drawing sound waves and envelope curves. Since the only input required involves drawing two waveforms, users can easily produce various sounds intuitively without complex manipulation. This application has a keyboard where users can edit waveforms and make sounds simultaneously. Therefore, it is easy for the user to understand the relationship between a waveform and the sound it produces.


Paper

  • Kyosuke NAKANISHI, Tsubasa YOHA, Paul HAIMES, Tetsuaki BABA, Kumiko KUSHIYAMA, NAKANISYNTH: A Freehand Drawing Waveform Synthesizer, ID:110, Art Paper, 12th International Conference for Asia Digital Art and Design,15-16 November, 2014 [PDF]

hazards.jp

Paul is currently working on a research project here at Tokyo Metropolitan University’s System Design faculty looking at how to make information on natural hazards (such as earthquakes, active volcanoes and typhoons) in Japan more accessible and usable. It’s very early stages but the plan is to build a smart phone app. We’ve recently launched a mini-site for the project at hazards.jp. This research will build on some of the findings from Paul’s PhD and the MyFireWatch project.

PocoPoco

Pocopoco is a new musical interface that users can control by pushing, holding and turning – very intuitive and tactile actions. To create Pocopoco we developed original solenoid units with built-in sensors and assembled 16 of them in a box-shaped container to serve as a universal input/output device. Through the use of their up and down movement we have created a new form of musical expression. The resulting device is a versatile interface whose physical movement is appealing to both performers and audiences.